It is only the natural course in the process of creating new realities that one first draws a scheme, lots of schemes.

The drawings presented here are schemes of alternative realities. Not the final result - reality itself - but sketches of possibilities and choices according to which one could create new worlds - for example in the next 2000 years.

I emphasize that these are NOT the final result but only preliminary sketches, a small selection of possible choices showing the inexhaustible amount of different visions according to which one could create realities alternative to the limited three-dimensional version of the world that we are so used to live in. And even this small selection of examples can appear confusing, as for example to a person who has spent his whole life lying on the ground perceiving this as the only possible position, the idea of other existing possibilities - e.g. sitting, standing, walking, running, dancing or other fantastic activities -  could seem stunning.

That is the way the creating of new worlds works. We do it ourselves. From within ourselves. It is like a door that can be opened only from the inside - there's no key on the outside and actually there is noone there that can open anything anyway.

Due to the absence of rules and regulations according to which one should create a new reality, one has to make those rules oneself.

Through these drawings I can share that information with those of you who may find it neccessary.

The greatest obstacle on the way of understanding those drawings is the uncontrollable desire of the human intelligence to "make sense" of things. In fact, there is no need for trying to understand anything, no need to expect anything extraordinary - the things that start to happen, happen on their own, without one having to strain oneself. The effort of trying to see something can create tense expectation that easily blocks information important and relevant to the spectator.

Try just to look at the picture without passing any judgement upon the things you see or don't see. There is no need, and it is not even possible to criticize and assess things that do not have any criteria for their assessment. Let me remind you that the rules according to which you create this reality are set by yourself.

It can happen that people whose heads are too full of important thoughts can't see anything and are thus incapable of receiving this information. This phenomenon is not without explanation and follows a certain inherent pattern with its internal logic - information needs free space where it can be stored. Even a computer can't open large files when the hard-drive is full or when it is too low on operative memory.

How should one look at those drawings?

Very simply. Choose a suitable distance and angle under which you seem to spot something interesting. Relax, and if possible, maintain your sense of humour. Allow yourself to concentrate and exclude all judgement and criticism, expectations and pretensions from your thoughts. You can, for example, become clearly conscious of the fact that you do not need to see anything there and I don't need to show you anything either. Nobody wants an opinion or assessment from you about these pictures - not me nor anyone else. It just doesn't matter.

Let your gaze wonder around freely, you can change distance and angle whenever you like and how often you like. At first it may seem that the surface of the drawing turns uneven or three-dimensional - as if there were bumps and holes of different shapes near the surface of the paper. Little by little this spatial effect starts to expand. After some time you may perceive the whole drawing or some parts of it as a holographic image of a three-dimensional reality. You may not get the impression of a holograph, but see other figures and images and begin to discover whole stories from your own life or from the tales you've read, seen or heard.

In an appropriate mood and with the information acquired from one picture, you can look at another one to see what is going on there. Each of these pictures has a unique emotional/energetic impact supportive towards one another, helping the eye get used to this new kind of information. Nevertheless, I suggest concentrating on one particular image at a time that for some reason seems more attractive and interesting to you.

Take notice of your emotions, what you feel when you see something. What are those feelings like? Soft - rugged, warm - cold, jagged - smooth, happy - sad, etc. What events, encounters from the past or anticipations for the future emerge to your thoughts and feelings? Pay attention - this could switch on another dimension in your consciousness.

Notice your emotions - most information is accessible only through love. Negative emotions such as hatred, fear, envy, contempt, irony or cynicism can block most of it. Therefore it is of great help if you take a positive approach towards your activity (in this case - looking at something) and the object of your attention (in this case - drawings).

If you for some reason feel restless, worried, anxious, when you have to hurry somewhere or solve a lot of problems, don't come here at the moment. Come when you are calm and carefree. If you take this for light entertainment that should amuse you, you're in the wrong place. You could just as well be staring at a poster at the bus-stop. But if you see this as a profound spectacle, a journey into the unknown, your experience may correspond to your attitude.